With just two simple edits on the Tone Curve, the image is now much more pleasing than the initial version, and things are just getting started. You can also do the opposite and make the overall exposure a bit more even-handed by bringing down the highlights while bringing up the shadows. They can separate or connect elements or simply offer a balance. This shows you where the color values are in your image and whether you have a lot of colors that are very bright, very dark, or somewhere in the middle. Any secrets that you want to share that I forgot to mention here? Often in architecture you can find compositions that combine multiple curves as well as some lines that add depth and variety to the image. It can be anything from the gentle curve of a seashore, lakeshore, a rounded rock, or grasses blowing in the wind.
Another dynamic composition tool is to include a "S" curve. As the Exercise: Go out and find an S Curve to photograph. Next Lesson: Balance in composition. Concepts and guides in photography are building blocks to creating is among the most common building block in composition, the S-curve is. The lines are simply guides to help you balance your photo into three The following photo is a great example of having two composition The S-curve is a tried and true method to help your viewer explore your photo.
I recommend that if you are using the tone curve to enhance your pictures, that you are careful not to push the histogram too far to the right or the left.
The same goes for the lighter portions, as you can see in the following example. It can be anything from the gentle curve of a seashore, lakeshore, a rounded rock, or grasses blowing in the wind. The S Curve darkens the shadows and lightens the highlights, while the inverted S-Curve does the opposite. Second, if you look carefully at the bottom portion of the diagonal line in the tone curve you will see that it flatlines until after it starts to overlap part of the shadowy gray histogram behind it.
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|For instance, here is the original image with a bit of adjustment to the lights.
Most photographers use it to add a sense of punchiness or vibrancy to their pictures. Flattening the curve between two points decreases the contrast. I hope this gives you a bit more understanding as to what the tone curve does.
To lighten shadows drag a point near the bottom of the line upwards.
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images that are much more subtle that the examples shown above: implied curves. that if I stood up and made it at eye level, the tufa formations would form an S shape. A good photograph will almost always make use of one kind of line or another.
Below are some It has Perfect Grace and Perfect Balance. You have seen this S Examples: the double curve of a river makes an S curve. A path, row of trees. For instance, vertical lines feel bold and rigid, while S-curve lines usually try to strike a balance between your intentions and your composition.
This image of the Brooklyn Bridge (Figure ) is a classic example of all six.
You can see this at the top of the S-shaped curve where it hits the top of the graph while there is still gray histogram data left on the right-hand side.
How to Create Compelling Compositions with Curves
Curves are graceful, rhythmic, dynamic and add energy to an image. Some people like this look though, and using the tone curve is a good way to achieve it. Normally when making adjustments to the tone curve I keep things subtle and avoid such high contrast situations.
To get started with these edits on any picture, enter the Develop module of Lightroom and click the Tone Curve panel on the right side which brings up a grayscale graph with a diagonal line going from one corner to the other as shown below.
How to Understand the Lightroom Tone Curve
Be sure to read up on the Filters tutorial to learn more about how filters work. They are created when objects in the frame imply the shape.
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|While visiting a plantation I was immediately drawn to these live oak trees with branches that curve over the entire lawn forming a canopy overhead.
The RGB curve is where you can modify the lightness, darkness and contrast of the shadows, highlights and mid-tones of your image without affecting the color balance.
Then you can click and drag on specific parts of your image say, a bright sky or a dark river to make them lighter or darker. Original image. Acorn 6.
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. in this case, hanging scatter rugs, as an example of symmetrical balance. Guidelines for Better Photographic Composition: Balance. The flamingo has relaxed, and his neck now forms a pleasing S curve against a better background.
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For example, this is a balanced photograph, but the subjects can be separated. Use “S-Curve” for Eye-popping Images – Photoshop Tip #6 Plus, Curves can accommodate some fairly drastic color-balance issues by Here's an example where an acceptable photo undergoes dramatic changes (some.
I was ready to make this image at Mono Lake, California, from a lower perspective when I realized that if I stood up and made it at eye level, the tufa formations would form an S shape.
The same goes for the lighter portions, as you can see in the following example. The same holds true for the highlights and lights. With all the editing options available in the Lightroom Develop module it can be tough to know where to start when you pull up a picture and start making changes.
Focus on Composition The S Curve
For instance, here is the original image with a bit of adjustment to the lights. This adjustment has taken the lighter portions of the image mostly the blue sky in the background and made them even brighter while leaving the darker portions of the image alone.